Drama jokingly asks in the video if Olivia Rodrigo was still there, after the teen pop star appeared at the White House recently. The video was filmed prior to the CDC changing its guidelines on mask wearing last month, Drama said when he posted the video. Are you getting this all down?” she asks him.ĭrama also speaks of vaccines in the video, telling someone on the phone as he sits with his feet up on a desk: “We need to get shots in the arms of every single American.”Īt various other points, Drama is shown floating down the halls of the White House screaming, “We did it, Joe,” and “Is Olivia Rodrigo still here?” come a long way in our fight against this virus. White House press secretary Jen Psaki also appeared in the video. Psaki features again in the video when she starts talking about COVID vaccinations. She responds: “I didn’t tell you to do that.” one point, Drama enters Psaki’s office declaring: “Jenny, I booked you a nail appointment, love.” led the criticism on social media over the video. “Hi my name is Kooper and this is the day in my life as a White House intern,” the video starts. It had been viewed more than 2.7 million times on TikTok and 850,000 times on Instagram as of Tuesday morning. The video, which was filmed around the White House, features Drama’s “Kooper the Gen Z Intern” character wearing a white skirt and flashing his long nails. The comedic influencer, whose real name is Benito Skinner, uploaded a new video on TikTok and Instagram late Monday co-starring the White House press secretary. The White House has enlisted “Gen Z” social media influencer Benny Drama in the push to get young Americans vaccinated, with a parody video of him parading around as Jen Psaki’s “intern.” TikTok mom who filmed heartbreaking cancer battle dead at 30 I’m a malpractice lawyer - you must ask these questions before surgery I sneak into all-inclusive resorts with old wristbands to party with my kids for free “Prof Micere Mugo has a capacity of firing my imagination in different directions and I looked forward particularly, in the years from 1974 to 1976, to our almost daily morning sessions of discussions and review of events in the corridors of the Literature Department, sessions which resulted in the joint authorship of The Trial of Dedan Kimathi, itself an act of literary and political intervention,” writes Ngugi in his book Decolonising the Mind.Millions freak out over woman who appears frozen in time: ‘What the f–k?’ It was staged alongside Francis Imbuga’s evergreen play, Betrayal in the City. He adds that The Trial of Dedan Kimathi, at the time, tried to recapture “the heroism and the determination of the people, in this glorious moment of Kenya’s history.” Not only did Micere write that play, she also acted as Woman and was in the original cast that performed the play FESTAC 77 in Lagos Nigeria. Such colonial theatre was meant to boost the morale of the British soldiers… Over the same period, the Mau Mau guerrillas led by Dedan Kimathi and others, put up one of the most heroic armed struggles against imperialism in this century,” he adds. “Many of the plays they performed between 19, served to entertain the British soldiers who came to Kenya to fight against Mau Mau guerrillas and to suppress the Kenyan people. “It is interesting, for instance, that the National Theatre was opened in 1952 under a colonial management,” writes Ngugi. In fact, Ngugi in his book Writers in Politics, recalls that their play had almost been denied space to be staged at the Kenya National Theatre. Here was a play that was celebrating Mau Mau hero Kimathi, who had been executed by the colonial government. The writing of this book was always going to be fraught with danger as remnants of the colonial order were still entrenched within systems of government. Well, traits of her rebellious nature became evident when she teamed up with firebrand Ngugi wa Thiong’o, with whom she taught together at the University of Nairobi, to write The Trial of Dedan Kimathi, which was published in 1976.
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